Simona Niță

Installation art emerged in the 20th century as a revolutionary artistic practice that broke away from traditional art forms like painting and sculpture. By emphasizing the use of space, interaction, and sensory experiences, this art form transformed the relationship between art, its environment, and the viewer.

Minimalism is a modern art movement that emphasizes simplicity, essential forms, and the elimination of excess. Emerging in the mid-20th century, it aimed to strip away ornamentation and focus on the purity of geometric shapes, monochromatic palettes, and precise compositions.

Suprematism, founded by Kazimir Malevich in early 20th-century Russia, was a radical abstract art movement. It sought to transcend materialism by prioritizing pure geometric forms and the supremacy of artistic feeling, breaking away from representational art amidst a time of significant political and social change.

Symbolism is an art movement that emerged in the late 19th century, challenging the dominance of realism and naturalism. It sought to express the inner world of emotions, dreams, and spirituality, rejecting literal representation in favor of metaphorical and abstract imagery.